Akinsha, Konstantin et al. Stolen Treasure: The Hunt for the World's Lost Masterpieces. London: Weidenfeld and Nicolson, 1995.

The Art Loss Register. http://www.artloss.com/ (accessed November 21, 2007).

Bertelsen, Lars Kiel and Klaus Christensen. "Political Vandalism, Art and Gender," in Webmagazine FORUM. January 13, 2008. http://www.kvinfo.dk/side/563/article/282/ (accessed December 1, 2007).

“Burial Box of James, Brother of Jesus,” in Christianity, December, 2004. http://skeptically.org/christianity/id10.html (accessed December 21, 2007).

Berlo, Janet Catherine and Ruth B. Phillips. Native North American Art. Oxford: Oxford University Press, 1998.

Bly, John ed. Miller’s Is it Genuine? How to Collect Antiques with Confidence. London: Miller’s, 2002.

Briefel, Aviva. The Deceivers: Art Forgery and Identity in the Nineteenth Century. Ithaca, N.Y.: Cornell University Press, 2006.

Chamberlin, Russell. Loot! The Heritage of Plunder. Japan: Thames and Hudson, 1983.

Christopher, Kevin. “Voice of Reason: The 'James Ossuary' and the Need for Skepticism,” in The Skeptical Inquirer, January, 2005 http://www.livescience.com/history/reason_ossuary_050112.html (accessed January 10, 2008).

The Detroit Museum of New Art, "KaBOOM!" http://www.detroitmona.com/kaboom.htm (accessed November 8, 2007)

Gamboni, Dario. The Destruction of Art: Iconoclasm and Vandalism since the French Revolution. London: Reaktion Books Ltd, 1997.

Gatehouse, Jonathon. "The James Ossuary: Cashbox," Maclean's Magazine, March 28, 2005.

Hart, Matthew. The Irish Game: A True Story of Crime and Art. London: Chatto and Windus, 2004.

Houpt, Simon. Museum of the Missing: the High Stakes of Art Crime. Toronto: Key Porter Books Ltd, 2006.

International Foundation for Art Research Journal, "Getty Returning 40 Disputed Objects to Italy," IFAR Journal, Vol. 9, Nos. 3&4, 2007.

The International Foundation for Art Research. http://www.ifar.org/ (accessed November 6, 2007).

INTERPOL Art Theft Division. http://www.interpol.com/Public/WorkOfArt/Default.asp (accessed December 6, 2007).

Irvin, Sherri. "Appropriation and Authorship in Contemporary Art," British Journal of Aesthetics,Vol. 45, No. 2, April 2005.

Knuth, Rebecca. Burning Books and Leveling Libraries: Extremist Violence and Cultural Destruction. Westport: Praeger Publishers, 2006.

Kurtz, Michael J. America and the Return of Nazi Contraband: the Recovery of Europe’s Cultural Treasures. Cambridge: Cambridge University Press, 2006.

Lanmon, Dwight P. Evaluating Your Collection: The 14 Points of Connoisseurship. Henry Francis du Pont Winterthur Museum; Hanover: Distributed by University Press of New England: Winterthur, Del., 1999.

Lemaire, André. "Report on the James Ossuary," The Biblical Archaeology Review, November/December 2003. (see also BAR November/December 2002 and November/December 2003).

McKeown, C. Timothy, Amanda Murphy, and Jennifer Schansberg.1998.“Ethical and Legal Issues: Complying with NAGPRA.” In The New Museum Registration Methods, eds. Rebecca A. Buck and Jean Allman Gilmore, 311-319. Washington, DC: American Association of Museums.

Meyer, Karl E. The Plundered Past. New York: Atheneum, 1973.

National Park Service, U.S. Department of the Interior. National NAGPRA http://www.nps.gov/history/nagpra/INDEX.HTM. (accessed November 6, 2007).

Nicholas, Lynn H. “World War II and the Displacement of Art and Cultural Property,” in The Spoils of War: World War II and its Aftermath: The Loss, Reappearance, and Recovery of Cultural Property. Elizabeth Simpson, ed. New York: Harry N. Abrams, Inc., 1997.

Nickell, Joe. Relics of the Christ. Lexington, KY: University Press of Kentucky, 2007.

O’Connor, Francis V.; Spencer, Ronald D. Eds. The Expert Versus the Object: Judging Fakes and False Attributions in the Visual Arts. New York: Oxford University Press, 2004.

Pal, H. Bhisham. The Plunder of Art. New Delhi: Abhinav Publications, 1992.

Rachlin, Harvey. Scandals, Vandals, and Da Vincis: A Gallery of Remarkable Art Tales. New York: Penguin Books, 2007.

Radnoti, Sandor. The fake: forgery and its place in art. Lanham: Rowman & Littlefield Publishers,1999.

Schwarcz, Joseph H. “The Reproduction in Art Education.” Art Education, 35 (1982) p.10-14.

Sellen, Adam, “Is This the Face that Launched a Thousand Fakes?” in Rotunda 36 (3): 32-29, Royal Ontario Museum, Toronto, 2004

Spiel, Robert E. Art Theft and Forgery Investigation: The Complete Field Manual. Springfield, IL: Charles C. Thomas, Pub., 2000.

Wynne, Frank. I was Vermeer: The Legend of the Forger Who Swindled the Nazis. London: Bloomsbury, 2006.